Europe after the Rain II Meaning, Poster and Max Ernst Methods

Europe after the Rain II: 1945
Max Ernst: 1891 – 1976



Max Ernst was a painter, sculptor, graphic artist, and poet. A very prolific artist, Ernst was one of the key pioneers of the Dada movement in and Surrealism movement in modern art.

Ernst was born on April 2, 1891, in Brühl Germany. He was the third of nine children of a middle-class Catholic family. His father Philipp Ernst was a teacher of the deaf and dumb and an amateur painter.

Ernst’s is life was interrupted by World War I. Max Ernst served both on the Western and the Eastern front. The devastating effect of the war is evident in his work.
Luckily, whilst on the Western Front, Ernst's job in the army was charting maps, which enabled him to paint.

In 1941-1945 Ernst lived in New York. He shared his knowledge and experience with younger American artists, thus becoming an influence in American Modern Art.
The work of this American period is entitled: Europe After the Rain II, 1940-42, Day and Night, 41/42, The Eye of Silence, 43/44; Vox Angelica, 1945; and The Temptation of St. Anthony, 1945.

There is grattage and frottage technique in this piece. Grattage or frottage was invented by Ernst. Grattage is a surrealist technique in painting in which dry paint is scraped off the canvas. Frottage is the French word for rubbing. Ernst was inspired by an ancient wooden floor where the grain of the planks had been heightened by years of scrubbing. The patterns of the grain were surreal images. He laid sheets of paper on the floor and rubbed over them with a pencil.

He went on to use a wide range of textured surfaces and adapted the technique to oil painting, naming it grattage (or scraping in English). In grattage the canvas is prepared with a layer or more of paint then laid over the textured object which is in turn scraped over.

These techniques are perfect for the kind of visual effect found in this painting. The painting scrapes and tears shapes directly off the canvas. The effect suggests a landscape created by a violent act of powerful unstoppable destructive energy.
Europe After the Rain II became a model for the unstoppable rain of destruction that was left behind in Europe during and after both World Wars. Two human figures stand amidst the rubble and ruins and the surreal shapes surrounding them mirror their memories of their peaceful life before the war.

  Home
  
  
  
  A Sunday Afternoon on the Island of La Grande Jatte
  Abstract Impressionism
  Action Art
  African Art
  African Masks
  Albert Bierstadt
  Alberta College of Art and Design
  Albrecht Durer
  American Gothic
  Andre Derain
  Andrea del Castagno
  Andy Warhol
  Angela Grossmann
  Antique Art
  Art Deco
  Art Events in Alberta
  Art Events in BC
  Art Galleries in Vancouver
  Art Informel
  Art Nouveau
  Arthur Rackham
  Arts and Crafts
  Ash Can School
  Auguste Rodin
  Barbizon School
  Baroque
  Bauhaus
  Beethoven Frieze
  Bill Reid
  Black Mountain College
  Body Art
  Body Painting
  Bouguereau
  Brian Jungen
  Byzantine Art
  Calligraphy
  Camille Pissarro
  Caravaggio
  Chaim Soutine
  Classicism
  Claude Monet
  Color Field Art
  Constructivism
  Cubism
  Dada
  Davida Kidd
  De Stijl
  Der Blaue Reiter
  DeviantART
  Diego Velasquez Las Meninas
  Diego Velazquez
  Dragon Art
  Dutch Proverbs
  Edgar Degas
  Edouard Manet
  Edvard Munch
  Egyptian Art
  Emily Carr
  Emily Carr University of Art and Design
  Ernest Daetwyler
  Europe after the Rain
  Expressionism
  Fantasy Art
  Fauvism
  Fine Art Resources
  Fine Art Schools
  Fluxus
  Fred Herzog
  Futurism
  Georges Seurat
  Georgia OKeeffe
  Giovanni Arnolfini and his Wife
  Girl with a Pearl Earring
  Glass Blowing
  Gong Xian
  Gothic Art
  Graffiti Art
  Grey Art Gallery
  Group of Seven
  Hans Holbein the Younger
  Hans von Aachen
  Harlem Renaissance
  Henna Body Art
  Henri Matisse
  Holger Kalberg
  Hudson River School
  I and the Village
  Impressionism
  Indian River School
  James Whistler
  Jan van Eyck
  Jean Michel Basquiat
  Jeff Koons
  Jennifer Kostuik Gallery
  Joan Miro
  Joe Average
  Johannes Vermeer
  John Everett Millais
  John Singer Sargent
  John William Waterhouse
  Joseph Mallord William Turner
  Judy Chicago
  Juilliard
  Keith Haring
  La Parade du Cirque
  Las Meninas
  Leonard Cohen
  Leonardo da Vinci
  Liberty Leading the People
  Los Angeles Art Schools
  Lucien Freud
  Luncheon of the Boating Party
  Mannerism
  Marc Chagall
  Marcel Duchamp
  Marriage of the Virgin
  Mary Cassatt
  Maurice Utrillo
  Max Liebermann
  Medieval Art
  Minimalism
  Mona Lisa
  Museum for African Art NYC
  Naive Art
  Nelson Art Galleries
  Neoclassicism
  Norman Rockwell
  Okanagan Art Galleries
  Ontario College of Art and Design
  Op Art
  Origami
  Otto Dix
  Pablo Picasso
  Painting
  Patrick Swift
  Paul Cezanne
  Paul Gauguin
  Paul Klee
  Peter von Tiesenhausen
  Photography Art
  Pop Art
  Post Impressionism
  Raffaello Sanzio da Urbino
  Raphael
  Realism
  Rembrandt
  Renoir
  Richard Krentz
  Robert Bateman
  Rococo
  Romanticism
  Rubens
  Salvador Dali
  San Francisco Art Institute
  Sand Art
  Situationism
  Sleeping Gypsy
  Steven Shearer
  Surrealism
  Symbolism
  Tattoo Art
  Tattoos
  The Birth of Venus
  The Bloomsbury Group
  The Creation of Adam
  The Fall of the Damned
  The Frick Collection NYC
  The Garden of Earthly Delights
  The Grainstack
  The Highwaymen
  The Kiss
  The Persistence of Memory
  The Potato Eaters
  The Renaissance
  The School of Athens
  The Scream
  The Starry Night
  The Virgins
  Thomas Moran
  Universal Judgment
  Van Dyck
  Van Gogh
  Vancouver Island Art Galleries
  View of Toledo
  Vincent van Gogh
  Watercolor Painting
  West Vancouver Art Galleries
  Whistler Art Galleries
  Yeu Ting Kwong
  Partners